This season, Kris Van Assche produces a collection that was as easy on the eyes as it was to touch for Berluti. The Belgian designer looks to meld past and present ideas into the collection. He imagines what the Maison’s century old-archives would look like had they encompassed tailoring. Sharp suits and tailored coats steal
10 months after taking the helm at Berluti, Kris Van Assche showed his debut collection for the luxury label on Friday against the opulent backdrop of the Palais Garnier in Paris. ‘’I totally, totally love the contrast of the noble and the rough. So we photographed it, and it became a print on the silk
In the middle of the FIAC contemporary art fair which was held last month in Paris, Kris Van Assche unveiled quietly his first collection for Berluti to buyers in showroom appointments. It was presented in a temporary glass-walled pavilion designed by Jean Prouvé, set up on the Place de la Concorde in Paris. Breaking with
Kris Van Assche kicks off his new chapter at Berluti with a campaign, styled by longtime collaborator Mauricio Nardi. Photographed by Jamie Hawkesworth, the three black-and-white images each depict the torso of a nude model in a minimalist style which, by creating contrast, elegantly highlights the brand’s emblematic shoe, the lace-up ‘’Alessandro’’ oxford model designed
Dior Homme unveils a new Spring/Summer 2018 campaign photographed by David Sims, in collaboration with the stylist Mauricio Nardi. The collection marks Kris Van Assche’s 10-year anniversary as Creative Director of Dior Homme by celebrating the savoir-faire of the atelier at 3 Rue de Marignan. Traditional tailoring is fused with varsity elements that explore the
